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1840 Bartlett print CANADA: QUEBEC CITY, #11

Description: Canada_011 1840 Bartlett print CANADA: QUEBEC CITY, #11 Nice view titled Quebec from the opposite shore of the St. Lawrence, from steel engraving with fine detail and clear impression, approx. page size 26.5 x 21 cm, approx. image size 18 x 12 cm. From: N. P. Willis, Canadian Scenery Illustrated, publisher George Virtue, London. Quebec, French QUÉBEC, city and port, seat of Québec region and capital of Quebec province, Canada. It lies at the confluence of the St. Lawrence and Saint-Charles rivers, about 150 miles (240 km) northeast of Montreal. The first European to visit the area was Jacques Cartier, a French explorer, who in 1535 found on the site the Huron Indian village of Stadacona. In 1608 Samuel de Champlain installed the first permanent base in Canada at Quebec, which grew as a fur-trading settlement. In 1629 Quebec was captured by the British, who held it until 1632, when the Treaty of Saint-Germain-en-Laye restored Quebec to France. The colony was then able to develop rapidly. In 1690 the fleet of Sir William Phipps, governor of Massachusetts, attempted to take Quebec but was beaten back with troops led by its governor, the Count de Frontenac. In 1711 a second attempt to take the city also failed when a British armada crashed on the reefs of the St. Lawrence before reaching Quebec. The city fell to the British in 1759 and was ceded to Great Britain by the Treaty of Paris in 1763. During the U.S. War of Independence, the Americans, under Richard Montgomery and Benedict Arnold, failed in an attempt to capture the city. In 1791 Quebec was designated as the provincial capital of Lower Canada, which later became the province of Quebec. It was incorporated in 1832 and was given its actual charter in 1840. In 1864 Quebec was the seat of the conference of British North American colonies to plan the confederation of Canada. During World War II U.S. President Franklin D. Roosevelt and British Prime Minister Winston Churchill twice met in Quebec to plan the invasion of Europe. Although Quebec is a major port of Canada, the largest employers in the city are the service and administrative industries. The leading manufactures include newsprint, milled grain, cigarettes, and garments; shipbuilding and tourism are also important. The majority of the residents of Quebec are Roman Catholic and French speaking. The city has a dual school system--one for Roman Catholics and one for Protestants; instruction is in French and English, respectively. Quebec's cultural life is concentrated on Laval University and its affiliated teaching institutions. Also notable are the concert hall, the Grand Théâtre, and the numerous museums and libraries throughout the city. The principal historical buildings are religious in function, many dating from the 17th century. On the Place Royale stands the modest Church of Notre-Dame des Victoires (1688). Other old buildings include the Ursuline monastery, the seminary, the Anglican cathedral (the first such in Canada), and the Catholic basilica, where many of the bishops of Quebec are buried. Sports are very popular, especially hockey, baseball, Canadian football, golf, and skiing in the many centres in the Laurentian Mountains only a few miles from the city. The Mont Sainte-Anne centre has been the scene of World Cup skiing tournaments. Among the principal local events are the three-week-long winter carnival ending on the night of Mardi Gras and the Provincial Exhibition of late August. Pop. (1991) city, 167,517; (1986) metropolitan area, 603,267. William Henry Bartlett William Henry Bartlett (March 26, 1809 – September 13, 1854) was a British artist, best known for his numerous drawings rendered into steel engravings. Bartlett was born in Kentish Town, London in 1809. He was apprenticed to John Britton (1771–1857), and became one of the foremost illustrators of topography of his generation. He travelled throughout Britain, and in the mid and late 1840s he travelled extensively in the Balkans and the Middle East. He made four visits to North America between 1836 and 1852. In 1835, Bartlett first visited the United States to draw the buildings, towns and scenery of the northeastern states. The finely detailed steel engravings Bartlett produced were published uncolored with a text by Nathaniel Parker Willis as American Scenery; or Land, Lake, and River: Illustrations of Transatlantic Nature. American Scenery was published by George Virtue in London in 30 monthly installments from 1837 to 1839. Bound editions of the work were published from 1840 onward. In 1838 Bartlett was in the Canadas producing sketches for Willis' Canadian scenery illustrated, published in 1842. Following a trip to the Middle East, he published Walks about the city and environs of Jerusalem in 1840. Bartlett made sepia wash drawings the exact size to be engraved. His engraved views were widely copied by artists, but no signed oil painting by his hand is known. Engravings based on Bartlett's views were later used in his posthumous History of the United States of North America, continued by Bernard Bolingbroke Woodward and published around 1856. Bartlett’s primary concern was to render "lively impressions of actual sights", as he wrote in the preface to The Nile Boat (London, 1849). Many views contain some ruin or element of the past including many scenes of churches, abbeys, cathedrals and castles, and Nathaniel Parker Willis described Bartlett's talent thus: "Bartlett could select his point of view so as to bring prominently into his sketch the castle or the cathedral, which history or antiquity had allowed". Bartlett returning from his last trip to the Near East suddenly took ill and died of fever on board the French steamer Egyptus off the coast of Malta in 1854. His widow Susanna lived for almost 50 years after his death, and died in London on 25 October 1902, aged 91.

Price: 35 USD

Location: Zagreb, HR

End Time: 2025-01-26T16:47:46.000Z

Shipping Cost: 12.5 USD

Product Images

1840 Bartlett print CANADA: QUEBEC CITY, #11

Item Specifics

Return shipping will be paid by: Buyer

All returns accepted: Returns Accepted

Item must be returned within: 30 Days

Refund will be given as: Money Back

Artist: William Henry Bartlett

Style: Realism

Type: Print

Year of Production: 1840

Listed By: Dealer or Reseller

Date of Creation: 1800-1899

Print Type: Engraving

Size Type/ Largest Dimension: Small (Up to 14'')

Original/Reproduction: Original Print

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